C Octaves - Reflexions 13 — Watercolor on Paper by Arnaud Quercy
Watercolor on Paper, 16.0×24.0cm
Arnaud Quercy, 2024 — France
Where the C note becomes visible through color
Technical Specifications
- Medium: Watercolor on Paper
- Dimensions: 16.0×24.0cm
- Weight:
- Created: 2024, France
- Certificate: 20240718-0173
- SKU: Arnaud Quercy Creations / AQC0677 / 2024
- ✓ Original artwork, hand-painted by Arnaud Quercy
- ✓ Certificate of authenticity included
Arnaud Quercy is a Parisian artist working across painting, music, and sculpture. His practice is grounded in Ideamorphism — the principle that a work of art does not carry meaning, but triggers it. Each piece is engineered to diffract differently through each person who encounters it.
He creates and exhibits at Art Quam Anima, his gallery-atelier at 28 rue du Dragon, Saint-Germain-des-Prés, Paris.
About This Artwork
This watercolor explores the visual representation of musical octaves, translating the fundamental relationship between the C note and its higher frequencies into color. Part of the Synesthetic Explorations collection, the work demonstrates how sound can become visible through chromesthetic mapping, where specific pitches correspond to particular hues and tonal relationships.
Red-orange tones dominate the composition, appearing in warm silver and tan areas that occupy the central forms. Orange accents in peru and burnt sienna create depth through layered geometric shapes, while gray elements in steel gray provide structural contrast. A single blue-violet accent appears as very dark gray, marking the lowest register of the octave relationship and creating visual tension against the warmer palette.
The watercolor measures 16.0 × 24.0 cm on paper and carries certificate of authenticity number 20240718-0173. The artist's signature appears bottom right. This piece represents the thirteenth work in the Reflexions series, examining how musical intervals translate into spatial and chromatic relationships through the artist's synesthetic perception of sound and color.
Where this work lives
Provenance
- Origin: Arnaud Quercy, Paris, France, 2024
- Acquired: 2024-09-08 — Private collection — Paris, France during Rencontres au Marché de la Création
- Series: Octaves
- Collection: Synesthetic Explorations
- Technique: Watercolor
Exhibitions 1
- Rencontres au Marché de la Création (2024-04-23 → 2024-12-31, Marché de la Création – Paris Montparnasse, Paris)
Other works in this series 26
- Db Octaves - Reflexions 11
- Ab Octaves - Reflexions 14
- F# Octaves - Reflexions 15
- D Octaves - Reflexions 16
- Ab Octaves - Reflexions 19
- Ab Octaves - Reflexions 20
- C Octaves - Reflexions 23
- Fsharp Octaves - Reflexions 24
- Bb Octaves - Reflexions 25
- C Octaves - Reflexions 26
- F Octaves - Reflexions 27
- Bb Octaves - Reflexions 28
- Bb Octaves - Reflexions 30
- Ab Octaves - Reflexions 31
- Ab Octaves - Reflexions 32
- C Octaves - Reflexions 35
- Ab Octaves - Reflexions 33
- Bb Octaves - Reflexions 34
- F# Octaves - Reflexions 36
- F# Octaves - Reflexions 37
- C Octaves - Research on Harmony - Reflections 38
- Db Octaves - Research on Harmony - Reflections 39
- G Octaves - Research on Harmony - Reflections 40
- Db Octaves - Research on Harmony - Reflections 41
- Eb Octaves - Research on Harmony - Reflections 42
- D Octaves - Research on Harmony - Reflections 43
Documented at 4
- Catalogue Raisonné — C Octaves - Reflexions 13 — C Octaves - Reflexions 13 — Chromesthetic Watercolor — Arnaud Quercy (2024)
- Nanopublication — C Octaves - Reflexions 13 — Digital Image Documentation - aqc0677_img_full_2379x3568_webp
- Nanopublication — C Octaves - Reflexions 13 — Physical Specifications
- Nanopublication — C Octaves - Reflexions 13 — Computational Image Analysis - AQC0677
Thematic Elements 8
Testimonials
Genuine reactions from collectors and viewers around the world
Apollonia S. described the colours as wonderful and truly beautiful.
Sue C. praised both the ideas behind the piece and their execution.
Arlene L. O. called the work beautiful art.
Thony C.-E. noted a touch of Kandinsky in the piece.
Svjetlana R. found the depiction wonderfully imaginative, particularly admiring how it captured the leap between octaves in such a beautifully composed arrangement.
Any-claude T. described the piece as truly beautiful.
Mireille M. found the work both subtle and sublime.
Carole M. shared that she liked the piece very much.
Brian C. described the work as really nice.
Maxime F. found the piece dazzling, playfully evoking Miró in his praise.
