Field Forms series — 3 Artworks by Arnaud Quercy
ART-SER0075
Field Forms is a series of 3 artworks by Arnaud Quercy, created in 2026 in mixed structure, fibreglass and resin, walnut stain and beeswax patina on aluminium armature and mixed structure, fibreglass and resin, walnut stain and beeswax patina on other. Formats range from 20×48 cm to 20×81 cm. 3 works available for acquisition at Art Quam Anima, 28 rue du Dragon, Paris. Works presented at: Mémoire Urbaine et Collective.
Field Forms
What happens when a noise is asked to give a shape?
A rule cuts the fragment into segments and names the curve of each — a bell, a bowl, a rise, a fall. It names one on a single condition: that the curve clear the fragment's own noise. Otherwise it answers straight, and that answer is not a failure. It is what makes the others worth trusting, since the threshold was posed before listening.
A sculpture has no time in which to sound. What enters it is not a sequence of events but a profile — and the pieces in this series do not do the same thing with it.
Table for Two interlaces two curves in a single gesture, like two links embracing. Beware of Pickpockets joins two curves into a moon, then two moons into a volume, one per voice of the announcement. Bateaux Mouche takes the two most marked curves for the eye, and the three others for the edges of an inverted pyramid.
The rule always returns the same thing. What is made of it differs with each work, and that is where the sculptor works.
Arnaud Quercy is a Parisian artist working across painting, music, and sculpture. His practice is grounded in Ideamorphism — the principle that a work of art does not carry meaning, but triggers it. Each piece is engineered to diffract differently through each person who encounters it.
He creates and exhibits at Art Quam Anima, his gallery-atelier at 28 rue du Dragon, Saint-Germain-des-Prés, Paris.
Works — Field Forms
Related hubs
Exhibitions 1
- Through the Aperture (2026-03-09 → 2026-05-30, Art Quam Anima, Paris)