Bateaux Mouche — Mixed structure, fibreglass and resin, walnut stain and beeswax patina on Aluminium armature by Arnaud Quercy
Mixed structure, fibreglass and resin, walnut stain and beeswax patina on Aluminium armature, 20.0×48.0×13.0cm
Arnaud Quercy, 2026 — France
Technical Specifications
- Medium: Mixed structure, fibreglass and resin, walnut stain and beeswax patina on Aluminium armature
- Dimensions: 20.0×48.0×13.0cm
- Weight: 6.0 kg
- Created: 2026, France
- Certificate: 20260829-0149
- SKU: Arnaud Quercy Creations / AQC1097 / 2026
Display Information: Base/pedestal not included. Available on request.
- ✓ Original artwork, handcrafted by Arnaud Quercy
- ✓ Certificate of authenticity included
- ✓ Shipping included to the EU and the United States
Shipping included (European Union and United States). EU: price includes VAT. United States: same price, no French VAT (export), import duties included.
Sold and invoiced by Arnaud Quercy, artist (EI, SIRET 521 356 980 00024), who collects the payment. Works presented by Art Quam Anima gallery.
Payment is made on Stripe, where you accept the terms and conditions of sale.
Arnaud Quercy is a Parisian artist working across painting, music, and sculpture. His practice is grounded in Ideamorphism — the principle that a work of art does not carry meaning, but triggers it. Each piece is engineered to diffract differently through each person who encounters it.
He creates and exhibits at Art Quam Anima, his gallery-atelier at 28 rue du Dragon, Saint-Germain-des-Prés, Paris.
About This Artwork
What happens when two minutes taken aboard a bateau-mouche — a commentary sliding from Spanish to English to Italian to Mandarin, an engine that never stops, a bridge whose reverberation swallows everything — are asked to give a shape?
A rule fixed in advance cuts the fragment into five and agrees to name only what clears the fragment's own noise. Here, once out of five. But the rule always writes the curvature, even when it declines to read it — and it is that curvature the sculpture takes up.
Two pronounced curves, one set beneath the other: the eye. Three fainter curves: the three edges of an inverted pyramid carrying the blade down to the base. What the rule names and what the sculpture takes up do not coincide, and that gap is where the sculptor stands.
A sculpture has no time in which to sound. What enters it is a profile.
Where this work lives
Provenance
- Origin: Arnaud Quercy, Paris, France, 2026
- Series: Field Forms
- Collection: Paris Sounds
- Technique: Mixed structure, fibreglass and resin, walnut stain and beeswax patina
- Technique: Fiberglass Resin over Foam and Plaster
Exhibitions 1
- Mémoire Urbaine et Collective (2026-08-28 → 2026-09-08, Orangerie du Sénat, Paris)
Other works in this series 2
Delivery & Handling
Each work is packed by the artist in a crate made for it and shipped by DHL, insured and tracked. Shipping is included to the European Union and the United States (import duties included).
Delivery times:
- France: 2-3 business days
- EU: 3-5 business days
- USA/Canada: 5-7 business days
Tracking provided for all shipments.
Other countries: on quotation, duties and taxes paid.
